Pornography of the Gaze
Lord B.

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‘Finally, a contemporary re-writing of George Bataille’s Story of the Eye!’
Featuring the essay, ‘Barthes / Bataille’
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Pornography of the Gaze It is an unflinching, fantastical meditation; is compose as a direct re-writing of Story of the Eye [Histoire de l’Oeil], the French surrealist classic by Georges Bataille, widely regarded a masterpiece of the 20th Century. Here, the novelistic account similarly charts a wild journey of two young lovers and their notable acquaintances. In doing so, it draws upon and implicates a series of texts, incidents and accidents: all revolving around the still unanswered question of the gaze; what it means to look and be looked at. Susan Sontag once wrote of the ‘considerable gain in truth’ to be made from attending to this literary genre. Now, nearly a hundred years on from Bataille’s original story, the verve of such writing is surely never more urgent a response to contemporary utilitarian, restrictive, and homogeneous ways of living.

Lord B. is a pseudonym of the book’s anonymous author. The name echoes George Bataille’s pseudonym ‘Lord Auch’, under which the original Story of the Eye was published (only officially attributed to Bataille posthumously, after1967). Here, ‘B’ is simply the next letter in the alphabet, but also reflects the author’s three main influences, George Bataille, Roland Barthes and David Bowie.

Pécuchet Press, 2022
978-1-7397669-0-0  (paperback)
978-1-7397669-1-7 (kindle)
978-1-7397669-2-4  (ebook)

Read the original Story of the Eye

George Bataille’s novella, Story of the Eye, originally published under the pseudonym ‘Lord Auch’ in 1928, is still his most notorious work. In this explicit pornographic fantasy, the young male narrator and his lovers Simone and Marcelle embark on a sexual quest involving sadism, torture, orgies, madness and defilement, culminating in a final act of transgression. Shocking and sacrilegious, Story of the Eye is the fullest expression of Bataille’s obsession with the closeness of sex, violence and death. Yet it is also hallucinogenic in its power, and is one of the erotic and surreal classics of the twentieth century.

The Penguin edition includes Susan Sontag’s well-regarded essay, ‘The Pornographic Imagination’, as well as Roland Barthes’ excellent study of Bataille’s work, ‘The Metaphor of the Eye’.

Georges Bataille (1897-1962), French essayist and novelist, was born in Billom, France. He converted to Catholicism, then later to Marxism, and was interested in psychoanalysis and mysticism, forming a secret society dedicated to glorifying human sacrifice. Leading a simple life as the curator of a municipal library, Bataille was involved on the fringes of Surrealism, founding the Surrealist magazine Documents in 1929, and editing the literary review Critique from 1946 until his death. Among his other works are the novels Blue of Noon (1957) and My Mother (1966), and the essays Eroticism (1957) and Literature and Evil (1957).



Excerpt

From ‘Preparation’, pp.105-121

Preparation, p.105
Preparation, p.106


Featured Essay

Barthes / Bataille